![]() ![]() Along with the anime Astro Boy, the Super Giant serials had a profound effect on the world of tokusatsu. 'strange person"' or '怪人' or 'kaijin' remained an integral part of the genre. However, in 1957 Shintoho produced the first film serial featuring the superhero character Super Giant, signaling a shift in popularity that favored masked heroes over giant monsters called the "Henshin Boom" started by Kamen Rider in 1971, though giant monsters, aliens and humanoid creatures dubbed lit. Godzilla kickstarted the kaiju genre in Japan, creating the "Monster Boom", which remained extremely popular for several decades, with characters such as the aforementioned Godzilla, Gamera and King Ghidorah leading the market. This film also helped Tsuburaya's employer Toho establish itself as the most successful effects company in the world. Godzilla forever changed the landscape of Japanese science fiction, fantasy, and cinema by creating a uniquely Japanese vision in a genre typically dominated by American cinema. Tsuburaya, inspired by the American film King Kong, formulated many of the techniques that would become staples of the genre, such as so-called suitmation-the use of a human actor in a costume to play a giant monster-combined with the use of miniatures and scaled-down city sets. Tsuburaya and the director Ishirō Honda became the driving forces behind 1954's Godzilla. Modern tokusatsu, however, did not begin to take shape until the late 1940s. Photographed by Yoshikatsu Kanno on the Miura Peninsula, Kanagawa Prefecture in March 1960.Īfter researching the special effects featured in King Kong (1933), Eiji Tsuburaya began to develop tokusatsu and had his breakthrough on Princess Kaguya (1935) and The Daughter of the Samurai (1937). Nevertheless, certain properties have attained popularity outside of Japan Godzilla is featured in popular American-made movies, and the Super Sentai Series was adapted into the Power Rangers series and broadcast internationally beginning in 1993.Įiji Tsuburaya is credited as the creator of Tokusatsu. ![]() Tokusatsu is one of the most popular forms of Japanese entertainment, but only a small proportion of tokusatsu films and television programs are widely known outside of Japan. Some tokusatsu television programs combine several of these subgenres, for example, the Ultraman and Super Sentai series. Renowned subgenres of tokusatsu include kaiju such as the Godzilla and Gamera series superhero such as the Kamen Rider and Metal Hero series and mecha like Giant Robo and Super Robot Red Baron. 'special technology') or shortened Tokugi ( 特技, lit. Prior to the monster boom, it was known in Japan as Tokushu gijutsu ( 特殊技術, lit. Its contemporary use originated in the Japanese mass media around 1958 to explain special effects in an easy-to-understand manner and was popularized during the " first monster boom" (1966-1968). ![]() Credited to special effects director Eiji Tsuburaya, tokusatsu mainly refers to science fiction, war, fantasy, or horror media featuring such technology but is also occasionally dubbed a genre itself. ![]() 'special photography') is a Japanese term for live-action films or television programs that make heavy use of practical special effects. The techniques developed by Eiji Tsuburaya for Toho Studios continue to be used in the tokusatsu film and television industry. ![]()
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